forum des droits de l'homme d'essaouira

HUMAN RIGHTS FORUM

HUMAN MOBILITY AND CULTURAL DYNAMICS

JUNE 20 & 21 2025 – ESSAOUIRA

Human mobility is an essential driving force in the evolution of societies.  Throughout history, migrations have helped to shape cultures, transform  social and economic landscapes, and generate complex cultural dynamics.  In today’s globalised world, migratory flows are more diverse than ever, and  exert a profound influence on cultural identities and interactions. This Forum  aims to explore how population movements contribute to cultural richness,  while also posing challenges in terms of social relations and cohesion. By  reviewing the causes, forms, and consequences of human mobility, the Forum  seeks to gain a better understanding of certain patterns in contemporary  cultural dynamics. 

In 2020, 281 million people were living in a country other than the one in  which they were born, compared with just 153 million in 1990. This illustrates  that, despite policies designed to close borders and increasing mobility  restrictions such as the introduction of visas, human migration has never  been as evident as they are significant.  

Over the decades, motivations for migration have naturally evolved to  encompass economic, social, political, religious, and climatic reasons, among  others. These factors often add up, making migratory phenomena sometimes  more perilous, and always more complex, to analyse and understand.  

All too often, human mobility continues to be considered from a security  perspective, giving rise to partisan instrumentalization in many contexts. The  resurgence of summary discourses (chosen migration, asylum crises, failure  to integrate, the risk of invasion) pushes aside the concentrated efforts of  human contributions, as well as the cultural dimension of migration.  

The theme “Human Mobility and Cultural Dynamics” thus creates an  opportunity to expand the debate by transcending economic contributions  to explore the cultural contributions of migration and diasporas to countries  of origin, transit, and destination.  

Human migration and mobility have always played a crucial role in cultural  creation. When people change where they live and reside, they carry with  them their traditions, languages, beliefs, and artistic practices. This generates  cultural richness, but also occasional friction, rejection, and tension. Religious  and cultural diversity can also be used to exclude, or be perceived as otherness;  to refuse or even hinder inclusion. And yet, human mobility brings with it the  diverse stories that enrich our common heritage and national narrative, while  raising questions about how we can live together in society. 

In any event, these cultural exchanges can give rise to hybrid cultural forms,  which are then disseminated, circulated, and received throughout the world,  thanks in particular to new means of communication that offer the advantage  of accelerating the circulation of ideas and influences, while democratising  access to globalised cultures.  

Culture remains a vehicle for self-expression and self-affirmation in society,  particularly in host countries. Examples abound in the fields of literature,  filmmaking, music, theatre, comedy, culinary arts, and visual arts. It is in these  very areas of exchange and mobility that artistic and cultural fusion has taken  root! As a cross-disciplinary artistic style, fusion is characterised by bringing  differences into composition, and by its insatiable desire to push back cultural  boundaries. 

INAUGURAL LESSON :

Andre Rea, Sociology professor – (Belgium)

MODERATOR:

Driss Bennani, Journalist and TV producer – (Morocco)

ROUND TABLE 1

Mobility…A second human nature ?

What drives people to move in 2025 ? Fleeing war and instability  (Ukraine, Syria, Gaza).

Fleeing climate change (drought, floods, etc.). Becoming a citizen of the world (Canada – USA with their open programs for all). Are we all equal in front of the migratory phenomenon ?

This section is about analysing the forms and motivations of today’s human mobility. Paradoxically, it is at a time where the world is becoming a village that it is becoming difficult to move around freely. In this part, we also look at the obstacles of this mobility, the constraints (even sometimes physical) that make it difficult, if not impossible.

It is also an opportunity to look back on the resilience and innovation of migrants in overcoming and transcending these barriers.

ROUND TABLE 2

Does culture ease migration ? Cultural representations of human mobility

The aim of this panel is to discover, analyse and tell the story of artistic expressions that address migratory issues. How were these works born, why are they so important ?

What roles have they played or are they playing for a better approach for the migratory phenomenon ? Have they led to better awareness, a change of approach or perception ?

 

ROUND TABLE 3

Mobility…Engine of creation ?

Human movement, whether for economic, political or social reasons, brings a rich diversity of cultural influences that stimulate creativity. By settling in a new context, migrants are integrating elements of the local culture while preserving their heritage. This interaction often gives rise to hybrid artistic forms which transform existing practices or create new ones. Movements such as jazz or rap, born of the integration of traditional African music and American political and social contexts, are concrete examples of how migrants can fuel creative processes. This panel addresses the scope of the contributions of diasporas as cultural and economic bridges between host and home countries.

ROUND TABLE 4

Migration and tomorrow’s cultural creations

The world around us is changing. Borders are moving at a speed never seen before. Crisis, tensions, wars and conflicts, is a new world order emerging ? What impact are IA, the MetaVerse and hyperconnection having on people’s desire for mobility ? On their desire to create together ? Does the absolute reign of algorithms present a risk on standardising creation ? Should it be resisted ? And if so, how ?

Neila Tazi

Producer of the Gnaoua and World Music Festival
(Morocco)

Driss El Yazami

President of the CCME
(Morocco)

Elia Suleiman

Director
(Palestine)

Pascal Blanchard

Historian
(France)

Andrea Rea

Sociology professor (Inaugural lesson)
(Morocco)

Faouzi Bensaïdi

Director
(Morocco/France)

Barthélémy Toguo

Painter
(Cameroun)

Kassie Freeman

President and CEO African Diaspora Consortium
(USA)

Kamal Redouani

Documentary filmmaker, Grand reporter and Specialist on the Arab world
(France/Morocco)

Rim Najmi

Writer and Poetess
(Morocco/Germany)

Taha Adnan

Poet and TV host
(Morocco/Belgium)

Abdelkader Benali

Writer and Dramatic adviser
(The Netherlands)

Yvan Gastaut

Historian
(France)

Elgas

Journalist and Writer
(France/Senegal)

Fatima Zibouh

Sociologist and Political scientist
(Belgium)

Dana Diminescu

Sociology teacher and researcher
(France)

Véronique Tadjo

Writer
(France/Ivory Coast)

Nicolas Bancel

Historian and Writer
(France)

Francesco Vacchiano

Psychologist, Anthropologist and Associate Professor at Ca'Foscari University in Venice
(Italy)

Driss Bennani

MODERATOR
Journalist and TV producer
(Morocco)