forum des droits de l'homme d'essaouira
HUMAN RIGHTS FORUM
HUMAN MOBILITY AND CULTURAL DYNAMICS
JUNE 20 & 21 2025 – ESSAOUIRA
Human mobility is an essential driving force in the evolution of societies. Throughout history, migrations have helped to shape cultures, transform social and economic landscapes, and generate complex cultural dynamics. In today’s globalised world, migratory flows are more diverse than ever, and exert a profound influence on cultural identities and interactions. This Forum aims to explore how population movements contribute to cultural richness, while also posing challenges in terms of social relations and cohesion. By reviewing the causes, forms, and consequences of human mobility, the Forum seeks to gain a better understanding of certain patterns in contemporary cultural dynamics.
In 2020, 281 million people were living in a country other than the one in which they were born, compared with just 153 million in 1990. This illustrates that, despite policies designed to close borders and increasing mobility restrictions such as the introduction of visas, human migration has never been as evident as they are significant.
Over the decades, motivations for migration have naturally evolved to encompass economic, social, political, religious, and climatic reasons, among others. These factors often add up, making migratory phenomena sometimes more perilous, and always more complex, to analyse and understand.
All too often, human mobility continues to be considered from a security perspective, giving rise to partisan instrumentalization in many contexts. The resurgence of summary discourses (chosen migration, asylum crises, failure to integrate, the risk of invasion) pushes aside the concentrated efforts of human contributions, as well as the cultural dimension of migration.
The theme “Human Mobility and Cultural Dynamics” thus creates an opportunity to expand the debate by transcending economic contributions to explore the cultural contributions of migration and diasporas to countries of origin, transit, and destination.
Human migration and mobility have always played a crucial role in cultural creation. When people change where they live and reside, they carry with them their traditions, languages, beliefs, and artistic practices. This generates cultural richness, but also occasional friction, rejection, and tension. Religious and cultural diversity can also be used to exclude, or be perceived as otherness; to refuse or even hinder inclusion. And yet, human mobility brings with it the diverse stories that enrich our common heritage and national narrative, while raising questions about how we can live together in society.
In any event, these cultural exchanges can give rise to hybrid cultural forms, which are then disseminated, circulated, and received throughout the world, thanks in particular to new means of communication that offer the advantage of accelerating the circulation of ideas and influences, while democratising access to globalised cultures.
Culture remains a vehicle for self-expression and self-affirmation in society, particularly in host countries. Examples abound in the fields of literature, filmmaking, music, theatre, comedy, culinary arts, and visual arts. It is in these very areas of exchange and mobility that artistic and cultural fusion has taken root! As a cross-disciplinary artistic style, fusion is characterised by bringing differences into composition, and by its insatiable desire to push back cultural boundaries.
INAUGURAL LESSON :
Andre Rea, Sociology professor – (Belgium)
MODERATOR:
Driss Bennani, Journalist and TV producer – (Morocco)
ROUND TABLE 1
Mobility…A second human nature ?
What drives people to move in 2025 ? Fleeing war and instability (Ukraine, Syria, Gaza).
Fleeing climate change (drought, floods, etc.). Becoming a citizen of the world (Canada – USA with their open programs for all). Are we all equal in front of the migratory phenomenon ?
This section is about analysing the forms and motivations of today’s human mobility. Paradoxically, it is at a time where the world is becoming a village that it is becoming difficult to move around freely. In this part, we also look at the obstacles of this mobility, the constraints (even sometimes physical) that make it difficult, if not impossible.
It is also an opportunity to look back on the resilience and innovation of migrants in overcoming and transcending these barriers.
ROUND TABLE 2
Does culture ease migration ? Cultural representations of human mobility
The aim of this panel is to discover, analyse and tell the story of artistic expressions that address migratory issues. How were these works born, why are they so important ?
What roles have they played or are they playing for a better approach for the migratory phenomenon ? Have they led to better awareness, a change of approach or perception ?
ROUND TABLE 3
Mobility…Engine of creation ?
Human movement, whether for economic, political or social reasons, brings a rich diversity of cultural influences that stimulate creativity. By settling in a new context, migrants are integrating elements of the local culture while preserving their heritage. This interaction often gives rise to hybrid artistic forms which transform existing practices or create new ones. Movements such as jazz or rap, born of the integration of traditional African music and American political and social contexts, are concrete examples of how migrants can fuel creative processes. This panel addresses the scope of the contributions of diasporas as cultural and economic bridges between host and home countries.
ROUND TABLE 4
Migration and tomorrow’s cultural creations
The world around us is changing. Borders are moving at a speed never seen before. Crisis, tensions, wars and conflicts, is a new world order emerging ? What impact are IA, the MetaVerse and hyperconnection having on people’s desire for mobility ? On their desire to create together ? Does the absolute reign of algorithms present a risk on standardising creation ? Should it be resisted ? And if so, how ?
Neila Tazi
Producer of the Gnaoua and World Music Festival
(Morocco)
Driss El Yazami
President of the CCME
(Morocco)
Elia Suleiman
Director
(Palestine)
Pascal Blanchard
Historian
(France)
Andrea Rea
Sociology professor
(Inaugural lesson)
(Morocco)
Faouzi Bensaïdi
Director
(Morocco/France)
Barthélémy Toguo
Painter
(Cameroun)
Kassie Freeman
President and CEO African Diaspora Consortium
(USA)
Kamal Redouani
Documentary filmmaker, Grand reporter and Specialist on the Arab world
(France/Morocco)
Rim Najmi
Writer and Poetess
(Morocco/Germany)
Taha Adnan
Poet and TV host
(Morocco/Belgium)
Abdelkader Benali
Writer and Dramatic adviser
(The Netherlands)
Yvan Gastaut
Historian
(France)
Elgas
Journalist and Writer
(France/Senegal)
Fatima Zibouh
Sociologist and Political scientist
(Belgium)
Dana Diminescu
Sociology teacher and researcher
(France)
Véronique Tadjo
Writer
(France/Ivory Coast)
Nicolas Bancel
Historian and Writer
(France)
Francesco Vacchiano
Psychologist, Anthropologist and Associate Professor at Ca'Foscari University in Venice
(Italy)
Driss Bennani
MODERATOR
Journalist and TV producer
(Morocco)